Emanuel has an axe to grind...Emanuel Ax that is. The concert pianist and conductor recently devoted a blog entry to the antiquated tradition of audiences remaining silent between the movements of classical piece. Many of us have experienced this - the orchestra, or pianist, or chamber group finishes a magnificent, boisterous first movement of a classical piece of music, and then a small group of audience members bursts into enthusiastic applause, only to find the rest of the audience - those "in the know" - glaring back at them, letting them know quite clearly that a terrible faux pas has been committed. Yet in reality, this is a strange tradition that was adopted long after the lives of Mozart and Beethoven. The idea that one can not judge a work, or a performance, even with applause, until the final note falls silent is a construct of the late-Romantic period, when composers like Richard Wagner took their music far too seriously. Some composers such as Richard Strauss solved the problem by writing epic single movement "Tone Poems" rather than symphonies.
Well, in my opinion the tradition has become rather absurd. Particularly when it comes to the flashy showpieces that the opening movements of concertos are. But also in the world of symphonies. I agree with Ax - that the music should direct the response. Conductors can convey this to an audience - though some refuse to - showing when the silence between movements is really not a break, but part of the mood. And by welcoming the joy that comes with an appreciative audiences response to a spectacular performance - even between movements.
In the world of jazz, audience response often comes during the music - applause for soloists, shouts of appreciation for amazing licks, cheering for dramatic moments of ensemble virtuosity. This is a world where the audience is a part of the experience - not just a passive listener. That's the world I want to live in - even at Symphony Hall.
Read Emanuel Ax's blog post on inter-movement applause here. Read the Boston Globe article that further elaborates on the topic here. And thanks to Chip Noon for bringing this to my attention via a Twitter comment!
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